How to write a melody to a chord progression with different angle
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The chord progression itself already tells a “story” without any melody. Note that especially on beats with a strong stress, chord tones are used. For example, if you are writing in c major the primary chords.
Even though the chord progression is very similar to the previous examples, the melody ends on the sixth degree of the major scale, and that makes us feel like it’s in the aeolian mode!
Another cool trick is to play around with octaves within the chord notes. To know which one they are, in logic pro x, you can simply hover on the notes in the piano roll. The melody is made up mostly of chord tones. The pentatonic scale that we’ll base our melody on is g (tonic), bb (minor third), c (fourth), d (fifth), and f (minor seventh).